Torrent Jumpin Jack Flash Movie
Terry works for a bank, and uses computers to communicate with clients all over the world. One day she gets a coded message from an unknown source. After decoding the message, Terry becomes.
Oct 10, 1986 Jumpin' Jack Flash torrents - Terry works for a bank, and uses computers to communicate with clients all over the world. One day she gets a coded message from an unknown source. Jumpin' Jack Flash (1986) on IMDb: Plot summary, synopsis, and more.
Contacted via her computer (the computer geeks out there will love seeing this earlier version of the internet) by a secret agent codename 'Jumping Jack Flash' (Jonathan Pryce) Terri must use her street smarts and attitude to save the day against rogue agents, KGB the police and while not being fired from her own job.
The only drawback to this movie is it is quite profane those adverse to the occasional swear word should probably steer clear. It's similar in the level of language used to Beverley Hills Cop, so probably not one for the small kids. But fun for everyone else.
7/10 - Good honest fun probably Whoopi Goldbergs funniest movie and certainly no Sister Act thank god!!!
Permalink
After making her debut in The Colour Purple, Jumping Jack Flash was Whoopi Goldberg's first proper starring role, and a chance to flex her muscles as an actress. And she's up to the task. Some of the plot points of JJF don't always ring true, but its a testament to Whoopi's charm and magnetism that she turns an occasionally ludicrous adventure into a fairly entertaining comedy-thriller.
Terry Dolittle (Whoopi) works a computer at a New York bank. Bored of such a hum-drum life, she finally gets a wake-up call from someone who taps into her computer. Someone called Jumping Jack Flash. Jack is in serious trouble. A British agent trapped in Russia, he needs help from Terry. The British Consulate won't acknowledge him, and he needs Terry to run errands for him. Everything from rooting out possible exit contacts on the back of frying pans to breaking into the Consulate itself and accessing their computers. All the while the situation gets more and more murkier, things go from one dangerous extreme to the next, and Terry and Jack's lives are both endangered.
Although a lot of people have an astonishing hatred of this film, I can't say the same. I think JJF is great fun, with a twisty screenplay right out of a Kafka novel. It wouldn't be half as fun without Whoopi Goldberg at the helm, but its thanks to her dynamic energy the film's momentum is kept as steady as it is.
The film pretty much rests on Whoopi's shoulders. And she does a great job. Delivering the laughs when they're needed, but also establishing a genuine fearful feeling when she gets in over her head. I especially liked the scenes of her conversing with Jack (Jonathan Pryce). There is real poignancy for Jack's situation, because it feels like Terry is the only friend he has.
There is quite an exceptional cast too. Granted they tend to get reduced to mere minutes in the spotlight, but because there is such a large gallery of famous faces, they leave a lasting impression. Look out for the late Phil Hartman, Annie Potts from Ghostbusters, James Belushi, Tracy Ullman and even Carol Kane. One thing that surprised me about JJF is there are quite a few actors from This Is Spinal Tap in the film. So keep your eyes peeled for Michael McKean, June Chadwick and Tony Hendra.
Penny Marshall made her debut as director here, and she does quite a fine job. She does sometimes overplay her hand, where the film tips over from genuine suspense to overblown farce. Such as the scenes of Whoopi Goldberg's dress caught in a paper shredder, being dragged along the streets of New York in a phone box, or wandering into Elizabeth Arden doped up on truth serum, but for the most part Marshall knows what she's doing. She's not as successful here as she was in her next film Big, her single finest hour, but JJF is still a lot of fun.
The ending has genuine nerve jangling tension and equal parts pathos. Her near death at the British Consulate is exciting, although her escape from a police car is contrived. There's no way Terry wouldn't be handcuffed, and I don't know why there wasn't a grille separating the back seats from the front. But the final shootout at the bank is good. And the scene where Terry finally meets Jack is touching too.
Jumping Jack Flash sometimes moves in fits and starts, but Penny Marshall's direction is assured at most of the right moments. Whoopi Goldberg hits a lot of the right notes, and its also a film that was ahead of its time in addressing the E-Mail system.
So give Jumping Jack Flash a chance. If not for the film, than at least for the scene where Terry goes through the song for Jack's code-key. Worth the price of admission alone!
Permalink
The film packs comedy, suspense, tongue in check and lots of amusement. There are still some hilarious pieces, notably the comic tryings to decipher the lyrics to the film title song by famous Rolling Stones, when her dress get caught in a shredder, Whoopi singing at the British Embassy by impersonating Diane Ross and when she's dragged by a tow truck, among others. The picture is a Woopi Goldberg recital, she plays a wacky, foul-mouthed, and wisecracking spinster with no check. This is her first big success in comedy genre, after his known drama 'Purple color' by Steven Spielberg. Abundant secondaries and cameos by noted actors, such as Jim Belushi, Annie Potts, John Wood, Jeroan Krabbe, Roscoe Lee Browne, Sara Bostford, John Lovitz, Phil Hartman, among them. Agreeable musical score, though with abuse synthesizer by Thomas Newman . The motion picture is middling directed by Penny Marshall, in his film debut, but she was unable to control the star's excesses. Later Marshall achieved numerous hits as producer, actress and director, such as 'Renaissance man, Preacher's wife, Awakenings, A league of their own and Big'.
Permalink
*** (out of four)
Permalink
Whoopie Goldberg's star quality shines through as she carries scenes along mainly by herself as she supposedly communicates with an unseen man-in- trouble .
The film has some superbly memorable lines and just fulfils our deepest wishes that one day we will be whisked into a glamorous world of intrigue and espionage.
The end scene in the restaurant shows Whoopie's versatility and has us in tears for her.
She does not need swearing though to carry her talents . She can act with her face as well as her script . The rest of the cast perform admirably and this is one to watch time and time again .
Permalink
Permalink
Permalink
It's well written, with some pretty obvious stuff in there, but it makes it kind of fun. Whoopi Goldberg puts in a good performance. Today it's fun to watch because the computers are SO out of date and because at one point Whoopi hits about 40 keyboard keys to type the work 'Hi'! Just listen to the sound of the keys. Whoopi's a good actress and comedian, but she's no typist - at least by the evidence here. And it's good to see Carol Kane and Stephen Collins, who both look about 12.
There are some fabulous continuity errors as well for anyone looking for them - in the scene in the police station, not only does the blanket Whoopi's wearing change places from scene to scene, so does her collar.
If you want a fun film that won't stretch your brain, this is well worth a look. Ingmar Bergman it isn't, but it's a nice feel good movie for those times when you just want to sit down and turn your brain off it's great. And if you want to know what computers used to look like and why you practically needed a second mortgage for somewhere to store them look no further.
Permalink
Permalink
Permalink
This is easily my favorite Whoopi Goldberg film, it has the best story that is very interesting and very well told by director Penny Marshall. Each character is interesting in their own ways. Every actor does their character justice and serve their purpose to the story.
The film is well paced, never boring, and is unpredictable. If only comedies these days would be more like this, then they would be a lot easier to sit through. If you can find this film give it a chance, it's definitely worth it.
Permalink
Permalink
There's the usual 80's stock plot about spies and secret dealings, but really that's just a front to see if Goldberg can establish a wacky character and manage to keep the audience interested in following her journey until the end of the film. If that's the sum total of your expectations for this movie, then I'd say that all concerned accomplish their task rather well.
Roger Ebert complained that her character is a loner who doesn't interact properly with others. In this case, there is a definite reason why she was forced into such a narrow pigeonhole - it's so there's little chance that one of her co-stars may inadvertently steal her thunder. There's no fear of that, this is a one woman show throughout, but to me she proved that she's got the tools to headline a movie all by herself, and still be funny. Sisters are doing it for themselves.
Permalink
I like the pseudo-detective/spy work that Terry Doolittle accomplishes, especially the rough ways in which she accomplishes it. This may very well be the first computer romance movie. In that capacity, it provides a somewhat cute look at computers and even at office politics in the 80s.
I don't think even Richard Pryor's characters can match the charming Terry Doolittle. Between her rough language and wild clothes, she's quite original.
Permalink
Permalink
If her constant profanity - especially her use of the Lord's name in vain - doesn't phase you, this is a very entertaining flick. The computer stuff was very cool 20 years ago but dated down, as we've come a long way in that technology. A good thriller, though, with interesting twists.
If her language, and Goldberg's overall attitude, is not your liking, then pass this film up (and not all, but many others of hers) because this is typical of her humor and her profane mouth. What surprised me was that Penny Marshall is associated or at least had the reputation of a nice, family-oriented type director....yet she's involved with this?
Permalink
It's all impossible, shows the technological gap existing between then and now with old computers, and all the while has Whoopi cutting loose as only she can. The scene at the Embassy ball and the telephone scene with her being dragged through the city streets, are just two of the highlights in this comedy directed by Penny Marshall.
STEPHEN COLLINS is totally wasted as the office worker replacement who lends some mild mannered assistance, as are JAMES BELUSHI and JONATHAN PRYCE in small parts, but since the film depends heavily on Whoopi for all the laughs, it doesn't matter much. PETER MICHAEL GOETZ is excellent as her impatient boss.
The plot is a flimsy spy plot with lots of sight gags as Whoopi flits around New York City keeping one step ahead of the bad guys. Passes the time and is generally good fun, but it's peppered with lots of profanity and vulgarisms, mostly from Whoopi, of course.
Permalink
This film was made in 1986, and a lot of the props, scenery, costumes and words are a bit old (particularly Teri's brightly-coloured shoes) and the computers have very little to them.
However, what the film lacks in what is cool nowadays, it more than makes up for in comedy! Yep - this film is absolutely hilarious!! And mixed with elements of thrillers, mysteries and dramas, it all comes together nicely in this wicked film.
There are a heap of favourite scenes - the tape deciphering one, the singing act, the police station scene and the truth serum part were so funny, I still laugh at it - and I've seen this film at least 30 times!!
There are so many funny lines, I just had to put some in:
'There's a dead man floatin' around in the river!... What is it wit' you people, everytime you see a black woman she has to be a pimp or a John? What do you think there's a lotta work down at the docks as hookers? Do you think I give blowjobs down there to goldfish?!?'
'What are you people doing spending all your money, take mine. Beauty comes from within you, it's not something you can buy! Except, except for you, you need the most help, take my credit card'
See? If you haven't already seen it, you just have to! And if you have? Well, you just gotta see it again! The acting's brilliant, the script is hilarious and the film plain and simply rocks! 9½/10!!
Permalink
I noticed there is no place to submit goofs for this movie and I found one. She uses a monochrome computer, but after she breaks the 'code', there is a color display of stars and such and then you see her chatting in color!
A must see for any Whoopie fan!
Favorite line: Song: I'm a slave to two lesbians; Whoopie: Come on Mick, two lesbians? F*** a duck!
Permalink
2 out of 5
Permalink
This has become one of my favourite comedy movies i watched it for days. Whoopi Goldberg gives a hilarious and compelling, Goldberg plays a conspicuous computer operator at a bank she tries to blend in, although she is the type of character who cannot.
The 1986 comedy which was Whoopi Golberg's claim to fame is about A computer operator at a bank is plunged into an exciting world of international intrigue, danger, surprise, fun and romance, when her terminal gets an S.O.S. from 'Jumpin' Jack Flash,' a British spy stranded in Eastern Europe. She is soon matching wits with the deadliest members of the espionage community from the CIA to the KGB. Jon Lovitz and Jim Belushi co-star in this suspenseful, fast-paced and murderously funny comedy.
Goldberg pulls off this character of a person who cannot find romance or a great deal of friends, but soon she will find romance and many more friends just as much as she finds danger and pleasure in this deep comical movie with a orthodox happy ending
It's not necessarily a fast paced murder blood and guts movie it is a fast paced movie of comedy, fun and thrill, i must say this film may not fit for everybody, but in my opinion i think it hasn't yet lost it's funniness and great story line an 8/10 an EXCELLENT film.
Permalink
Permalink
Permalink
Goldberg delivers her unique brand of humor (especially liked the scene where her cocktail dress got caught in the shredder) and her fast-talking and no-nonsense attitude. Stephen Collins plays Terry's newly-hired co-worker Marty Phillips, who seems to be caught in places where Terry is in trouble. Carol Kane plays Terry's sassy and high-pitched voice co-worker Cynthia, and Annie Potts plays the mysterious Liz Carlson, who seems to be the only person Terry can trust in the espionage case.
It's a somewhat classic-style spy genre film, which I thought could have used a bit more action and suspense. However, the plot was well-paced and the acting was pretty good, giving us a pretty entertaining feature.
Grade B
Permalink
The funniest scenes are when Goldberg gets herself worked up into a frenzy and starts verbally tearing people a new one. Along with the scene in the British consulate. Penny Marshall's directorial debut is basically an excuse for Goldberg to be as nutty as possible. In some scenes she has a little help, as in the phone booth scene. It's just a funny movie, and I suspect that they had a lot of fun filming it. Also starring Stephen Collins, Jonathan Pryce, John Wood (Prof. Falken in 'WarGames'), Jeroen Krabbé, Jim Belushi, Carol Kane, Jon Lovitz, Phil Hartman, Annie Potts (Janeane in 'Ghostbusters' and Bo Peep in 'Toy Story'), Tracey Ullman and Michael McKean.
A sad irony is that I'm reviewing this on September 11, and the movie opens with a shot of the Twin Towers.
Permalink
Summaries
A computer wiz woman/W.Goldberg works at a computer terminal in a NYC bank. One day she gets a strange message and breaks the code. Suddenly, she finds herself in the middle of dangerous spy business.
Terry works for a bank, and uses computers to communicate with clients all over the world. One day she gets a coded message from an unknown source. After decoding the message, Terry becomes embroiled in an espionage ring. People are killed, and Terry is chased. Throughout she remains in contact with this unknown person, who needs Terry to help save his life.
Spoilers
Synopsis
- Teresa 'Terry' Doolittle (Whoopi Goldberg) transfers funds for the First National Bank in Manhattan, New York. She does not quite fit with the bank's corporate image, despite being a good employee and popular with her co-workers. However, she is often chastised by her no-nonsense boss James Page (Peter Michael Goetz).
Set against the backdrop of the pre-Glasnost Cold War, Terry is contacted over her AC computer desktop by an unseen man calling himself 'Jumpin' Jack Flash' who turns out to be a British Intelligence agent in Eastern Europe that is being pursued by the KGB. After being given a riddle for his password, Terry determines the password to be B-flat, after the key in which 'Jumpin' Jack Flash' is supposedly written (as the actual song by The Rolling Stones is recorded in the key of B-flat). Jack sends her to the British Consulate to deliver the message 'Dog's barking, can't fly without umbrella' to Department C. Despite feeling ludicrous, Terry delivers the message to the head consul Jeremy Talbot (John Wood) who is apparently puzzled and sends Terry away, telling her there is no Department C. Jack then asks her to enter his apartment in New York to retrieve a frying pan, on which are Jack's CIA contacts to acquire a passport.
Shortly after her visit to the British Consulate, Terry begins to be monitored. Peter Caen (Stephen Collins), a CIA agent working under the alias Marty Phillips, arrives at First National Bank as a new co-worker of Terry in order to spy on her.
One evening, after Jack tells Terry to retrieve the frying pan from his apartment, a computer technician (James Belushi) shows up to repair her terminal, but when Terry calls Sperry Corporation to confirm his identity, the technician vanishes. After Terry aquires the frying pan from Jack's apartment, the computer tech appears again as a taxi driver, who tries abduct her, but Terry bashes him on the head with the frying pan and escapes.
Another day later, Terry is finally contacted by one of Jack's contacts, Mark Van Meter (Jeroen Krabbé), who meets her at the docks. After being stunned to realize Terry is a banker and has no relationship at all with the intelligence community, Van Meter notices they are being watched and pushes Terry off the docks and into the East River to save her life, but is shot and killed himself by unseen assasins. The police dismiss Terry's claim of the murder and Peter bails her out of jail.
Unsure who to trust, Terry contacts Jack on the computer again who then tells her how to break into the British Consulate central computer. Conning her way in under the guise of an entertainer, she manages to enter the mainframe, but Talbot deactivates the computer link before Jack receives a contact. Going through one of Jack's romantic contacts, Lady Sarah Billings (Sara Botsford), Terry is rebuffed and then captured by the KGB, who lock her in a phone booth and drag her around the city. After escaping when the booth is knocked over, Terry is injected with truth serum by the computer tech (now posing as a police officer), but escapes after trapping his arm in a car window and rolling the car into traffic.
Terry again contacts Sarah and makes an impassioned plea for her help. Sarah tells Terry she would rather let Jack be killed than risk losing face. A disgusted Terry chastises Sarah for her indifference to Jack's plight and walks out. She then stumbles into work and after embarrassing Mr. Page by yanking off his fake hairpiece in front of the entire office, passes out.
Terry awakes at home and is dropped in on by Sarah, who has had a change of heart and gives her a contact, which Jack can use to escape. After passing the contact to Jack, she is again captured by the KGB and learns that the contact is a KGB mole who turns out to be Talbot himself. After nearly being tortured with a power sander, Terry escapes and is caught by police. After realizing the police are arresting her rather than protecting her, Terry escapes. She rushes to the bank and is again ambushed by the KGB and Talbot. After struggling with the KGB and biting Talbot's groin, she confirms to Jack that the contact will kill him. Marty identifies himself as Peter Caen and gives Jack the correct contact.
At the end, after initially not showing up at a restaurant where he and Terry plan to meet, Jack (Jonathan Pryce) appears in her office to thank her personally by taking her out to dinner.